Want to add to your Driben pinup collection? Have a look here. Each consecutively numbered: 1/100, 2/100, etc.Here's the second of our exclusive Peter Driben Zippo lighters. ZLighters has been granted exclusive license to produce the illustrations of famous 1940s era pinup artist Peter Driben. We love this illustration of the red-headed pinup girl standing on a scale looking oh-so sexy. We plan to produce a full line of Driben's pinup girls, so be the first in line to purchase one of these rare girlies! Each lighter will be individually numbered and will come with a beautiful certificate of authenticity from ZLighters. If you wish to receive a specific number, please let us know via the comments section on the checkout page and we'll do our best to accommodate.
To purchase products with this image, visit our Cafe Press store.
From the Pinup Files: Driben was born in Boston and studied at Vaesper George Art School before moving to study at the Sorbonne in Paris in 1925. His first known pin-p was the cover to Tattle Tales in October 1934, and by 1935 he was producing covers for Snappy, Pep, New York Nights, French Night Life and Caprice. His career went from strength to strength in the late thirties with covers for Silk Stocking Stories, Gay Book, Movie Merry-Go-Round and Real Screen Fun.
His career was not limited to magazine covers, he also worked in advertising and for Hollywood, perhaps his most famous work being the original posters and publicity artwork forThe Maltese Falcon. Peter Driben was also a close friend of publisher Robert Harrison, and in 1941 was contracted to produce covers for Harrison's new magazine Beauty Parade. Driben went on to paint covers for all of Harrison's magazines including Eyeful, Titter, Wink, Whisper and Flirt, often having as many as six or seven of his covers being published every month.
Driben married the artist, actress and poet Louise Kirby just before he began to work for Harrison.
In 1944 he was offered the the unusual opportunity, for a pin-up artist, of becoming the art director of the New York Sun, a post he retained until 1946. During the war, his popular painting of American soldiers raising the flag at Iwo Jima sparked a considerable amount of media attention.
In his later years Peter Driben turned, like many of his colleagues, to portrait and fine-art work, including a portrait of Dwight Eisenhower, which were organised into successful exhibitions by Louise.
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